During her extraordinary performing career, Michele Lee has starred
in Broadway musicals, feature films, television movies and specials,
recorded hit records and starred in a prime-time series that ran
for fourteen seasons. She has produced films for television and
has directed hours of quality prime-time programming. Outside of
her prolific life in entertainment, she has centered herself in
a close-knit family, while developing time and immeasurable energy
to causes close to her heart. Those causes include the encouragement
of accurate depiction of health and social issues, which is one
of the Entertainment Industries Council’s chief missions.
And, though it all, she has managed a sense of humor.
COLOR ME PERFECT
In 1996, Michele became the first woman to produce, write direct
and star in an original motion picture for television. Color Me
Perfect is the story of a free-spirited, childlike woman with
limited intelligence who is chosen for a groundbreaking genetic
experiment to improve her mental capacity. Amidst controversy,
the woman becomes a genius and her life is changed forever. The
film made its debut as an "event presentation" on Lifetime
Television November 5, 1996.
KNOTS LANDING
As Karen MacKenzie is CBS' international hit, Knots Landing, Michele
appeared in all 344 episodes during the series' historic run,
setting the American television record for the greatest number
of consecutive appearances by a leading actress in an hour-long
prime-time dramatic series. (At 14 years, Knots Landing is the
second longest-running dramatic series behind Gunsmoke's 20 years.)
She was nominated for an Emmy as Best Actress (Lead Role in a
Drama Series), named Actress of the Year by Gannett Newspapers
and has won numerous magazine awards for Best Actress in a Prime-Time
series. In 1997, the long-anticipated reunion mini-series of Knots
Landing aired on CBS.
BIG DREAMS, BROKEN HEARTS: THE
DOTTIE WEST STORY
One of the many highlights of her illustrious career was Michele's
starring role in 1995's Emmy-nominated CBS Sunday Night Movie
Big Dreams & Broken Hearts: The Dottie West Story . The immensely
entertaining dramatic saga spanned 40 years and inventively tells
of the colorful, ill-fated Grammy-winning performer who influenced
generations of country music artists. Dottie brought glamour and
sizzle to country music and challenged the traditions and presentational
concepts of the cultural art form. The movie received rave reviews
from the national media, from country music industries, from fans
around the world and is considered to be a classic of its kind.
It swept the night outright, becoming one of CBS' highest rated
movies during the past few years.
MICHELE LEE PRODUCTIONS
A respected and popular artist, Michele Lee is continuing her
long-term productive association with CBS through her company,
Michele Lee Productions. She has a commitment to star in and produce
a new comedic or dramatic television series, as well as multiple
commitments to produce and star in original movies and mini-series
for the Network. She is currently developing a film about the
complex life of popular author and television personality, Jacqueline
Susann.
TELEVISON STAR
Her television movie career is noted with high quality, commercially
successful efforts. She starred with Anthony Hopkins and Elizabeth
Montgomery in the acclaimed three-hour NBC presentation of Dark
Victory and followed that with Bud and Lou, starring Buddy Hackett
and Harvey Korman, in which she played Anne Costello, the wife
of tragic comedian Lou Costello. A Letter to Three Wives, the
highly praised and highly rated NBC modernization of the Joseph
L. Mankiewicz classic starred Ms. Lee along with Loni Anderson,
Stephanie Zimbalist and Ben Gazzara. Neil Simon's Broadway Bound,
an ABC Television Theatre presentation reunited Ms. Lee with friend
"Doc" Simon, as she starred with Hume Cronyn and Anne
Bancroft in the film of the Tony Award-winning play.
PRODUCER
1989 marked Ms. Lee's first producing efforts for CBS with Single
Women, Married Men, a true story about the work and life of therapist
Joanne Bitner. It starred Ms. Lee, Lee Horsley and Julie Harris.
The Fatal Image starred Michele Lee and Justine Bateman in a suspenseful
thriller about kidnapping and murder set against the color and
romance of a summer's vacation in Paris. My Son Johnny, a highly-charged
true story about sibling rivalry and its consequences starred
Ms. Lee, longtime friend Rick Schroeder, Corin Nemic and Rip Torn.
In 1992, she developed, produced and starred in When No One Would
Listen, another critically-acclaimed and experimentally creative
television drama, based upon an actual case about domestic violence,
which led to changes in operation of the legal system. Ms. Lee's
former husband, actor James Farentino also starred.
DIRECTOR
Michele recognized and cultivated her flair for directing in the
Theatre. She later applied those skills behind the camera. Outstanding
episodes of Knots Landing and a special Thanksgiving episode of
Dr. Quinn, Medicine Woman have earned Ms. Lee respect from her
peers for her creative approach to the process.
THE BEGINNING
Michele was born in Los Angeles on June 24, the first of two children
born to Sylvia and Jack Dusick, both deceased. Her dad was a well-known
make-up artist for such stars as Clint Eastwood, Richard Chamberlain
and Efram Zimbalist, Jr. Her brother, Kenneth B. Dusick, is an
attorney.
Michele was a performer from the start. At age three, she was
singing for the family. She sang at school assemblies while attending
Louis Pasteur Junior High and Hamilton High and, by age 16, she
was a semi-professional band singer.
BROADWAY BOUND
A few days after graduation, she auditioned for a spot in a local
musical revue called Vintage '60. Legendary Broadway producer
David Merrick was taken by the show and Michele's show-stopping
number and moved the show to New York. The show's run was short-lived,
but Michele had made it to Broadway with her first audition.
She was appearing in the L.A. production of Jerry Herman's Parade
when word came from New York that an "Italian-American type"
ingenue was being sought for Bravo Giovanni, a new Broadway musical
to star Metropolitan Opera star Cesare Siepe. The vivacious 18
year-old bought a plane ticket, flew to New York, auditioned for
and landed the role.
Bravo Giovanni led to the prestigious Pulitzer Prize-winning
smash hit musical How to Succeed in Business Without Really Trying,
in which Michele starred as the female lead, Rosemary opposite
Robert Morse. She played the full two-year run and went on to
re-create her role in the popular 1967 United Artists movie version.
Ms. Lee was named a NATO Star of Tomorrow by the National Association
of Theatre Owners for her feature film debut.
VARIETY SHOWS
As television variety specials became more and more popular, Michele
was in great demand, working with such legends as Fred Astaire,
Bette Davis, Perry Como, Bob Hope, Dick Van Dyke, Jerry Lewis,
Ed Sullivan, Danny Kaye and Carol Burnett.
RECORDING ARTIST
As a recording artist under contract to Columbia Records, Michele
recorded numerous albums including A Taste of the Fantastic, which
became a hit, as did her single, L. David Sloane. Between movie
and television appearances, she mounted a night club act, performing
at the famed Persian Room in New York and The Sands Hotel (at
the height of its popularity) in Las Vegas.
"THE LOVE BUG STAR"
BECOMES A MOTHER
In 1969, Michele starred in Disney's The Love Bug opposite Dean
Jones and gave a stellar performance in Carl Reiner's cult classic
film The Comic, starring with Dick Van Dyke and Mickey Rooney.
It was also the year Michele and James Farentino -- married in
1966 -- became parents of David Farentino. (Michele and Jim were
divorced in 1981.)
SEESAW
Michele returned to Broadway in 1973 as the star of Michael Bennett's
hit musical Seesaw, based on William Gibson's play Two for the
Seesaw. Ken Howard and Tommy Tune also starred. Clive Barnes wrote
in the N.Y. Times: "Miss Lee proved a delicious mixture of
tough and vulnerable, with a show-biz passion that was absolutely
exultant." New York Magazine's John Simon said: "She
sings, moves, acts, and radiates like a true pentathlon champion,
deserving five-fold accolades." TIME's T.E. Kalem reported:
"Apart from her notable acting strength, the sheer likability
of Michele Lee is infectious." Mort Young of Hearst Newspapers
wrote: "After the opening performance, someone should have
pinned a silver star on Michele Lee's dressing room door, planted
a kiss on her cheek and handed her the keys to the city."
Her performance in Seesaw earned her the Drama Desk Award, the
Outer Circle Critics Award and a Tony nomination for Best Performance
by a Leading Actress in a Musical.
OFF CAMERA
Michele is a boundlessly enthusiastic person who can always find
the lighter side of most situations. She has lived in the same
house for over 25 years. Much of her time and talent are devoted
to community endeavors. Michele co-founded The Entertainment Industries
Council in the early '80s to help encourage the responsible, accurate
treatment of alcohol and drug use in the movies and television.
She is also a member of the Artists Committee of the John F. Kennedy
Center for the Performing Arts.
Michele cherishes her career, but family comes first and her
friendships run deep and are lasting. Her best friend in high
school is her closest friend today. A photography buff, she has
collected albums of her own work, reflecting the growth and change
of generations of family and friends. Her home is always the setting
for gatherings and holiday celebrations. Michele says that "relationships
change, but rarely end." In fact, she and Jim Farentino have
remained good friends. Their collaboration in When No One Would
Listen was hailed by the Los Angeles Times as "arguably the
best performances of their careers in one of the year's strongest
TV Movies."
On September 27, 1987, Michele married television producer Fred
Rappoport. The couple met in New York when Fred filled in for
an ailing friend who had a theatre date with Michele. They're
been together ever since.
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